Calm down, he has nothing to do with the Inland Revenue. This here is John Le Carre, the prolific literary writer of thriller \ spy novels. At this year’s Oxford Literary Festival, he will receive the Sunday Times Award for Literary Excellence.
I’ve only read, and not quite finished, one of his novels. I came across it by chance when we were staying in the South of France a few years ago. The villa we were renting was still furnished with the person’s personnel stuff and the back wall of the living room had shelves, top-to-bottom, full of books.
At night, when the kids were asleep and the others were watching the TV, I would stand, glass of red wine in hand, browsing the collection. There were some great classic books there, and one, The Catcher in The Rye by J.D, was actually signed by the man himself.
We were staying in Juan Les Pins, just up from Cannes, and it was on the back of that thirty week French Speaking holiday course, so the ham and cheese sandwiches were getting ordered with considerable ease.
So, the way I looked at it, was that if this place was being rented to us, then it was up to us to have a good time and respect everything in the place. The books, if they were mine and I was renting the place out, I wouldn’t mind someone reading them, as long as they were put back in the same place, in the same condition.
I started reading Absolute Friends (I think, I’m not 100% it was this novel, I’ll investigate further) at night. A few pages here and there, and when I finished reading for the night, I put it back in its position on the shelf. During the day I read my own supply of books on the beach, bending the spine, ramming them into THE BAG, before being more delicate again at night. I’ve got to say, despite John Le Carre’s genre not being one of my favourites, I was thoroughly enjoying this book. The writing was top class. Unfortunately time ran out before I could finish it, and I left it tucked up with several other of his books in the villa. I need to get round to buying it and giving it another go.
So, why am I writing about JLC?
I was reading an article about the festival, and in particular a piece about him, and he does something I do, when forming characters for a book. Here’s how he formed the main character in The Spy Who Came in from the Cold :
I was sitting at the bar in the departure lounge in London airport - flights were delayed - when an Englishman of about 40 with a drained, travelled face appeared beside me and ordered himself a large Scotch, neat, no ice. Spotty fawn raincoat, scuffed suede shoes, a bronzed, beat-up face, dog-tired, dark Celtic eyes. It wasn’t until he came to pay for the Scotch, that I knew I’d found him. He dug a hand in his pocket, slammed a bunch of loose change on the counter and barked ‘help yourself’ like a challenge to the barman.
How good is that? And there he has the man to lead his story. Whenever I see someone unusual, or I meet someone that is unusual or even very regular, I don’t know what it is about them, there’s just something, I make a note in a back of a book I have. I don’t know when I’ll use them, if ever, but they’re there, all the faces, the strange attitude, the tattoo on the back of the neck or ear, the gap in the front teeth, the none stop chattering. Cafes, bars, queues, all the characters are there, then you just take them and run with them, put them in situations, see what they get up to. I’ve got one in there at the moment, I saw him cross the road, and he looks like a lollipop. I’m itching to get him somewhere as a brother or boyfriend, you’ve seen nothing like a face so flat and big and shoulders so narrow. He’s a dream character sketch.
With the main character in the current novel being a priest, I’m noticing priests and what they’re up.
I’m loving this. I don’t know what it is about Houellebecq’s style that sits so well with me, but it just does. I don’t care how long the book is, where it’s going, I’m just happy to be along for the ride.
I was doing an interview yesterday by email and one of the questions was something like, … and what effect do you think this had on……
For the past couple of months I haven’t been buying any mags. I’ve fell out of love with them. The Big Issue has lost its zest, not even the stories at the back can keep me interested.
This weekend Banksy was featured, with his film about street art coming out.
Another mag I’ve got into is this free issue from NatWest. You would have seen it in the branches, and like me thought, Nah, they’re trying to flog me something. They probably are, but it’s a great read, and especially interesting if you’re in business yourself. This month features Max Clifford, Big Duncan Bannatyne is in there, Jacqueline Gold, MD of Ann Summers and daughter of West Ham owner David, and loads of other success stories. Stories you can relate to. They’re not all Plc shit beyond reach. I love reading about success stories, and it gives you inspiration to kick on, try something new. I remember buying all the writing magazines just to read about the breaking deals and who was getting signed up and how they started out. It’s true what they say, that the journey getting there is better than being there. Do THEY actually say that, or have I just made that up?
Where do I start? Or what do I tell?
I was trying some outrageous shots - some of which actually came of. I can remember both of them, but will save you the details.
Here’s me leaving the 18th at Victoria. It was my round at the bar and I wanted to get there sharpish, whilst also advertising my book, and it all came together in my completely focused mind what to do.
In Portugal. I’ve even taken my golf clubs to make it look really convincing. See you soon.
No, not duck watching, although I do think that one there is a mallard.
Next up on the hit list was the earring place at the end of Monument Mal. No one around, so I slipped a few on the counter, and made my escape, feeling very Bansky like.
Into waterstone at the heart of the books in Newcastle centre, where I was met with open arms, showed through to the executive lounge and given a cup of coffee, meal, signed autographs, and the New York girls were in, so… Hardly. Here’s how it went,
Next stop, TK Max. The security guard stops me at the door. ‘What do you think you’re doing?’